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Stop motion is a form of animation involving real puppets, not drawings or computer-generated pixelmaps, but actual honest-to-goodness little 'dolls' with jointed armatures inside, like King Kong or Rudolph the Red-Nosed Reindeer. Ray Harryhausen is the best-known animator (in the US) in this form, practicing the 'Dynamation' technique, which places realistic foam latex puppets in front of rear projected (or sometimes front projected or matted-in) film of live actors and real settings, to create the illusion that some fantastic creature is wreaking havok on the world of man. There's plenty of info on the net and elsewhere about this type of animation... this site concentrates on the more arcane Eastern European tradition of puppet animation, where there is no attempt to 'fool' the audience into believing that the puppets are living things.
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ORIGINS:
European puppet animation springs from an ancient tradition of live puppet theater, best represented perhaps by punch and judy. While these shows are enjoyed by children, the themes are often quite adult... similar to the plays of Shakespeare which are rife with violence and sexual depravity but presented in an intelligent artistic fashion. One of the things that make these traditional puppet shows so fascinating is the old-world craftsmanship... techniques handed down generation after generation using handmade tools. The heads are carved from wood and carefully painted and costumes are elaborately crafted from multiple layers of rich embroidered fabrics and fine ornaments. It all serves to create a self-contained miniature world of strange haunting beauty. The puppets were the livelihood of their creators.... puppeteers would lovingly craft their own puppets and upkeep them, and travel with their wheeled carts from village to village putting on performances and hoping to make some money. The craft would be handed down through the family.
Then with the dawn of the moving image came trikfilm techniques... the magical effects photography techniques of Melies and the Lumiere Brothers and others, which very shortly resulted in animation, both cartoons and stop motion. This is where our tale begins.....
JIRI TRNKA:
THE originator of the Czech style. He was a talented illustrator and cell animator when the communist regime decided to create a puppetfilm facility and Studio Jiriho Trnky was launched. Its been in operation ever since, though I understand it has recently downsized, and has been the training ground for many of the following generations of great animators, including Svankmajer and his protege Jiri Barta. He was known for using jointed wooden puppets resembling traditional european dolls or toys and imbuing them with an uncanny sense of life and personality. He was a very large imposing man with a disfiguring scar on his face, who felt uncomfortable in society, but through his puppets revealed the sensitive soul of an artist. there doesnt seem to be much on the web about him. probably the most info you will find is in the short documentary included on The Puppetfilms of Jiri Trnka. His work includes a strange mix of the cutesey with the powerfully surreal. And in his films you'll see the origins of the trademark styles of Svankmajer and the Brothers Quay.
videos:
Svet Jiriho Trnka collection at HMV Japan
Trnka Film Works collection at HMV Japan
I found these links through a very useful feature at HMV where you can select International Animation, and further refine as
Stop Motion and Puppet Animation
links:
An article at awn.com;
The Walt Disney of the East. This includes short clips from three of his films.
the Kratkyfilm catalogue
gives descriptions and pictures from basically every animated film from the Czech Republic up to a certain date. they have a big selection of Trnkas work.
JAN SVANKMAJER:
Undoubtedly the most well-known among them is Jan Svankmajer. His feature films are available in wide distribution and recently Image Entertainment has made some of his earlier (and in my opinion far more interesting) short films available on glorious DVD in the 2-disc set The Collected Shorts of Jan Svankmajer. The title is a little misleading though, since only about half of his shorts are represented. Basically this set is a distillation of the more accessible (to an english-speaking audience) films culled from the four-volume Kratky filmy (short films) collection, which was released only in europe, on pal videotape. I say accessible because theyre either without words, or originally filmed in english. apparently no-one thought it was worth it to go to the trouble of providing subtitles for the czech-language films, or even just presenting them in all their unintelligible glory for those of us who love the animation (and Svankmajers startling filmmaking style) enough to sit through them. A precious few of these 'lost' films (the ones not presented in the Image set) were once available on ntsc videotape stateside in two tapes formerly available through the awesome (and now sadly defunct) Whole Toon Catalog. One was called Alchemist of the Surreal... Ill try to find the name of the other one, in case anyone wants to try to track down some used copies on ebay or something.
videos
Svankmajer page at Amazon.com
Svankmajer page at HMV Japan. Or if this link fails to work, just go to
HMV Japan and type or paste
Svankmajer into the search window. Loads of goodies. Of course, most of his films are now available in the US, little reason to buy Japanese imports, except that I see a few DVDs not available here... in particular Don Juan (bottom of page). Not sure what's on some of the other collections, such as the Wonderland of Jan Svankmajer.
Don Fan
(must be Don Juan, a nice 30 minute feature not available here with carved wooden puppet heads that resurfaced in Faust. No stop motion, but very well done. Czech language only)
Links
A great online resource is the AWN Animation of Heaven and Hell
Svankmajer page:
There is a book about him called
Dark Alchemy available through amazon.
Kinoeye has done some great articles.
Here is one
, and at the bottom of the page they have links to others:
I find
this one especially fascinating... it consists of his diary entries while he was shooting Otesanek.
Re-Animating the Lost
Objects of Childhood and the Everyday
THE BROTHERS QUAY:
They're not truly European, but a pair of twins from Philadelphia who moved to London and undertook a career fuelled by inspiration from Svankmajer. They paid tribute to him in their film the Cabinet of Jan Svankmajer, which depicts a wise teacher instructing a young fledgeling in various arcane arts, and at one point using a ponderous machine that must be some sort of antique movie camera. In many of their films they borrow, sometimes heavily, from his work and use much of the same strange music. their work is very bizarre and seems to take place in a dream landscape populated by broken dolls and decaying antique objects.
My personal favorite (and one of the most incredible films I've ever been priveleged to see) is Street of Crocodiles. In fact this is the one that made me decide I wanted to do european style puppetfilms. But this way lies much danger... I'm not the first to be influenced by the Quays, and god knows Ive seen some pretty embarrassing copycat stuff. A lot of amateur animators see their stuff and say "Wow, this doesn't look too hard, even I can do it!" but they fail to understand that the only reason the Quays can dispense with traditional narrative storytelling technique is because they are accomplished masters and they know how to deliver the goods. Before you can break the rules of filmmaking you have to learn them, and if you're not going to give the viewers an intelligible story, you've got to give them something utterly fascinating. Some of their films are less successful at this than others, and I find it hard to watch them for more than a short while. At their best (as in Street of Crocodiles and Epic of Gilgamesh) they provide an ultra-closeup vision of fragmented pieces of dream worlds that seem to shine a brilliant light into the unfathomable mysteries of the mind and the soul, playing on tricks of vision and memory. Where as Svankmajer relies mostly on found object animation; the environment is always a real place in the real world and the characters are actual size, the Quays use miniature sets and puppets. You get the sense that Svankmajer is always searching for the hidden realities behind the facade of the world we know, while the Quays tend toward a high degree of artifice. I've always found it hard to discuss the Quays without mentioning Svankmajer in the same breath.
VIDEOS:
This is a list of films they've done... The ones not available (as far as I know) in the US are marked with an
asterix*
NOCTURNA ARTIFICIALIA (21 mins).....1979
PUNCH & JUDY (Tragical Comedy or Comical Tragedy) (52 mins).....1980*
EIN BRUDERMORD (6 mins).....1981*
THE ETERNAL DAY OF MICHEL DE GHELDERODE (30 mins).....1981*
IGOR - CHEZ PLEYEL - THE PARIS YEARS (25 mins)....1982*
LEOS JANACEK: INTIMATE EXCURSIONS (25 mins)..... 1983*
THE CABINET OF JAN SVANKMAJER (14 mins).... 1984
THE EPIC OF GILGAMESH [aka THIS UNNAMEABLE LITTLE BROOM] (11 mins).... 1985
THE STREET OF CROCODILES (20 mins)....... 1986
REHEARSALS FOR EXTINCT ANATOMIES (14 mins)......... 1987
DRAMOLET (STILLE NACHT I) (1 min)........ 1988
EX-VOTO / THE POND (1 min)....... 1989*
THE COMB (FROM THE MUSEUMS OF SLEEP) (18 mins).... 1990
DE ARTIFICIALI PERSPECTIVA or ANAMORPHOSIS (13 mins)..... 1990
THE CALLIGRAPHER Parts I, II, III (1 min)..... 1991*
ARE WE STILL MARRIED? (STILLE NACHT II) (3 mins)..... 1991
LONG WAY DOWN (LOOK WHAT THE CAT DRUG IN) (3 mins)..... 1992*
TALES FROM THE VIENNA WOODS (STILLE NACHT III) (3 mins)..... 1992
CAN'T GO WRONG WITHOUT YOU (STILLE NACHT IV) (3 mins)..... 1993
INSTITUTE BENJAMENTA (105 mins) (1994)........ 1994
DUET -VARIATIONS FOR THE CONVALESCENCE OF 'A' (16 mins)...... 1999*
THE SANDMAN (41 mins)....... 2000*
IN ABSENTIA (20 mins)....... 2000*
DOG DOOR (STILLE NACHT V) (5 mins)......... 2000*
THE PHANTOM MUSEUM (11 mins)........ 2002*
POOR ROGER / ORANGES AND LEMONS / GREEN GRAVEL / JENNY JONES....... 2003*
They also did a brief scene in the Selma Hayak film Frida... a hallucinatory dream sequence based on the Mexican Day of the Dead ceremonies.
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Videos:
Brothers Quay page at Amazon.com. Very interesting item at the top of the page - available for pre-order, shipment expected April 24 2007 -
Phantom Museums: The Short Films of the Quay Brothers. This must be the Region 1 NTSC version of the Michael Brooker box set
The Quay Brothers - The Short Films 1979-2003, including remastered and restored version of their short films, along with commentary by the quays on some of them (including Street of Crocodiles!).
Links:
An excellent article called
Through a Glass Darkly.
More good articles
here.
The
Zeitgeist Films site, which handles the Quays movies.
They carry the novels that inspired Street of Crocodiles and Institiute Benjamenta, plus Michael Atkinsons book Ghosts in the Machine containing an essay about the Quays.
LADISLAS STAREWITCH:
Im using the spelling here that he used in all his correspondence.... there are actually a confusing number of alternate spellings owing to the fact that he moved between different countries so much. Originally, in his native Polish, it was Wladislas Starevicz, then when he went to Russia it became Ladislas Starevitch. Finally, a move to France and it became Ladislas Starewitch. To further confuse matters, sometimes youll find one of the above without the second 't'.
He is often credited with inventing stop motion animation as we know it, though so are several other people. It depends on what fits into your definition of stop motion. Certainly he was probably the first to actually make little figures and move them frame by frame in an attempt to duplicate lifelike movement of actual living things.... it was because he was filming beetles and found that the hot lights made them lethargic, so he made his own little beetles as realistically as possible and animated them instead. This gave birth to further projects with very lifelike but sometimes partially anthropomorphic (human-like) animals.
I found this quote from his grand daughter concerning the mysterious method he used to make the faces:
The emotion conveyed through the faces of the puppets is due to
Their making:
- WET chamois-leather was stuck on the wooden structure of the puppet,
as it got dry this chamois-leather shrank and totally fitted in with the
structure:
- Starewitch's genius.
He used dentist's tongs to modify -frame by frame- the different parts
of the faces
videos:
A French website called Dorianne Films carries two excellent videos that arent available in America, including his masterpiece, the full-length
Le Roman a Renard
(Tale of the Fox):
The dvd contains:
*the original French version
*an undertitled English translation
*commentary by Leona Beatrice Martin, Ladislas Starewitch granddaughter.
*Some drawnings of the film
*A short film: FETICHE EN VOYAGE DE NOCES
*Biographical notes and a filmography of Ladislas Starewitch
...this is a definite masterpiece of world cinema, one of the most important animated films ever made, and a mesmerisingly beautiful film to watch. A must-have!!
Le Monde Magique de Starewitch
(the Magic World of Starewitch)
which includes these films:
*LE RAT DE VILLE ET LE RAT DES CHAMPS (TOWN RAT AND COUNTRY RAT)
*LE LION DEVENU VIEUX (THE OLD LION)
*FETICHE MASCOTTE (THE MASCOT )
*FLEUR DE FOUGERE (FERN FLOWER)
*a couloured version of LE RAT DE VILLE ET LE RAT DES CHAMPS
(TOWN RAT AND COUNTRY RAT)
*drawnings
*biographical notes and a filmography of Ladislas Starewitch
Both of these can be bought at the
Doriane-Films website.
Here is the real world contact information:
DORIANE FILMS
11 avenue Dorian
75012 PARIS, France
Tel: (00 33) 01 44 74 77 11
Fax: (00 33) 01 44 74 64 93
links:
A great site with lots of info and pics.
JIRI BARTA:
A startling talent schooled under Svankmajer. I dont know much about him, and hardly anything has been published, since he is still a relative newcomer.
Barta is currently trying to get funding for what looks to be his best film yet.... called The Golem. It's to be done entirely differently than any previous version of that idea, with the Golem representing apparently the amalgamation of memories that coalesce in the mind of an elderly Jewish man as he walks the streets of his now modernized village. Some startling visual effects highlight the trailer, which by incredible luck I have posted on my
Video Clips page. Look in the margin along the left side of the page, under where all the links are located. I decided to start putting all that blank space to some good use!
videos:
Finally available in America, on Region 1 DVD!!!!!....
Labyrinth of Darkness
It includes his acclaimed Krysar, plus several of his best shorts, 2 of which I haven't been able to find anywhere else (Vanished World of Gloves and The Last Theft).
Almost all of his short films (that I'm aware of anyway) can be found on the
Ceska Animace
series available through HMV or Amazon Japan,
except for
The Vanished world of Gloves and
The Last Theft
The link above will show you vol 1. As I said about Trnka earlier, just put this in your shopping cart and theyll show you similar recommendations, which should lead you to vols 2-4. More of his films are on the
Czech Animation, the New Generation
series:
Krysar
is Bartas masterpiece... a full-length film made in a very artful style with forced perspectives.
I have a few clips available on the
Video Clips page (and just to the left there).
Here is the
Bonton Megastore, a huge center in the Czech Republic selling music and videos.
They used to have an English version of the site available, but they dont seem to anymore. That could be because they recently renovated and things have changed. In their former incarnation (when there was an english page) I contacted their operator at this email:
operator@bontonland.cz and she was extremely helpful and sent me a direct link to a page where I could order Krysar. I dont have that link anymore, but if youre interested, I would try emailing them and just asking. I tried searching using every variation of Krysar and Jiri Barta I could think of, but the search engine was unable to locate it. They didnt have a dvd of it when I checked, just a pal tape, so youd need to be able to get a conversion.
Vlasta Pospisilova:
Schooled under the master Trnka himself, Vlasta Pospisilova worked as an animator on many of his films, then went on to push puppets for Svankmajer as well, so she definitely learned her craft from some of the best! She became a director, doing I believe several children's films, and then came truly into her own working on the collaborative effort Fimfarum along with the other top new talent Aurel Klimt. If you're interested in the children's films she did, I believe you can find some information on the Kratke Filmy site. But I'm more interested in her adult work, such as the absolutely amazing When the Leaves have Fallen From the Oak, for Fimfarum. I have a clip on my
Video Clips page, and also there is one, along with more information, at the
Projekt Fimfarum site. Click on the VIDEO link once you get there.... Leaves is the second clip from the top.
VIDEOS:
Her only work on video as far as I know is available on the special edition DVD of Fimfarum available through
Bonton. This is incredible folks... it's actually Czech stopmotion that has english subtitles! You'll have to click for the English site version when you get there and then input Fimfarum into the search engine. It's Region 2 of course. Vlasta is responsible for 3 of the 5 films, namely When the Leaves have Fallen from the Oak, Stingy Barka, and Splneny Sen (not too sure of the translation on that one!)
Aurel Klimt:
This guy seems to have sprung out of nowhere! The first time I encountered him was in the Nova Generace series, in the film Pad. It was obvious immediately that here was a new force to be reckoned with. Hard to believe he's so young, and yet demonstrates the talent he does! At the same time he seems to bring a shot of freshness to the old traditions of Czech stopmotion. Probably his best work so far is Fimfarum, the title piece of the aforementioned collection. I can watch that film over and over, and just soak in all the innovations and inventiveness. Since I've already listed the Fimfarum disc under Vlasta Pospisilova, I won't do it again, just look right over his mug to see the info. Check the
Projekt Fimfarum site to see stills and production sketches from the various films, of which Klimt did Fimfarum and Frantisek Nebojsa.